Peace, the new dark comedy directed by Sanfeer, is a quirky experiment that is uneven yet very engaging. In the initial portions of the film, the narrative isn’t that smooth, and you feel a forceful effort to look cool. But once the triggering moment happens, it manages to grab the attention of the audience, and… Continue reading Peace
Tag: Joju George
Solomante Theneechakal
Recently in the conversations happening in social media groups and even in troll groups, one particular scripting trope was under scrutiny. It was about this “wait, I can explain” – “no, we don’t want to hear anything” scenario in movies that were released a few years back. What I found most irritating about Lal Jose’s… Continue reading Solomante Theneechakal
Aviyal
Aviyal wants to be this eventful coming-of-age story about a man. But its peripheral approach and the desperation to look complex somewhere makes it an unimpressive script. It shows the travel of a man from his teens to early thirties. But the movie wants to cover so many bullet points that it forgets to invest… Continue reading Aviyal
Pada
In movies based on real-life incidents, the cinematic elements are usually added in a way one would know that certain phases in the screenplay are deliberately dramatized. Pada, directed by Kamal KM, is a film that has less interest in making it excessively cinematic. Instead of taking too much cinematic liberty to make it pleasing,… Continue reading Pada
Freedom Fight
Freedom Fight, the new anthology film from Malayalam streaming on SonyLIV, works in totality because of its treatment variety offered in each segment. Each story is a perspective on individual freedom. Toxic relationships, workplace inequalities, the injustice in the social hierarchy, the constraints of old people, and the oppression faced by the Dalits are the… Continue reading Freedom Fight
Putham Puthu Kaalai Vidiyaadhaa
Putham Puthu Kaalai Vidiyaadhaa, the new lockdown anthology from Amazon Prime Video, is arranged chronologically from bad to better. Every episode here is half an hour long and portrays a wide range of emotions. Balaji Mohan emphasizes the humor aspect of the situation. At the same time, the other directors are more interested in the… Continue reading Putham Puthu Kaalai Vidiyaadhaa
Oru Thathvika Avalokanam
Oru Thathvika Avalokanam from Akhil Marar is that superficial exploration of the political reality from the sensibility of someone who scrolls through the Facebook feed. Political satires are not an alien concept, and we have had classics like Panchavadippalam and Sandesham in that genre. Films have got read in different ways over time, and Sandesham… Continue reading Oru Thathvika Avalokanam
Madhuram
Ahammed Khabeer’s new film Madhuram isn’t doing anything spectacularly fresh in terms of the content. A few minutes into the film, one can realize the sense of positivity it wants to impart on its viewers and also what all could be the back story of each character. But after a point, the film manages to… Continue reading Madhuram