Varshangalkku Shesham Review | An Overtly Melodramatic Friendship Tale Saved by the Second-Half Humor

When I saw the song Nyabagam from Varshangalkku Shesham, a few days back, I had a feeling that this song was going to be the reason the movie would stay with the audience as some sort of lingering pain as those sustained shots of Dhyan Sreenivasan and Pranav Mohanlal had a sense of melancholy in… Continue reading Varshangalkku Shesham Review | An Overtly Melodramatic Friendship Tale Saved by the Second-Half Humor

Showtime Review | Even in Self-Criticism, Bollywood Lacks Nuances

On paper, Showtime, the new Hotstar series produced by Dharma Productions digital wing Dharmatic Entertainment, looks like an extremely bold move. Bollywood, which is going through a patchy phase in terms of content and many other controversial topics including nepotism, doing a self-critique, that too produced by Karan Johar felt like a sign of acknowledgement.… Continue reading Showtime Review | Even in Self-Criticism, Bollywood Lacks Nuances

RDX Review | Action Backed by Purpose Makes This Template Story Watchable

Action films always work when a solid enough emotional motive drives the characters. Even though it is very simplistic and obviously over the top, what makes Nahas Hidayath’s debut venture RDX a comfortable watch is the solid reasons behind all those action sequences. Starting off as a revenge drama, Nahas and his writers shape the… Continue reading RDX Review | Action Backed by Purpose Makes This Template Story Watchable

An Action Hero Review | A Satirical Black Comedy That Looks Surprisingly Pertinent

An Action Hero, the new Ayushmann Khurrana starrer action flick, is actually a smart satire that wins you over with its outlandishness. It starts as a revenge drama that has to do much with fragile masculine ego. But writer-director Anirudh Iyer uses the fertile plot to create something bizarre and novel. Out of all the… Continue reading An Action Hero Review | A Satirical Black Comedy That Looks Surprisingly Pertinent

Vendhu Thanindhathu Kaadu

In Vendhu Thanindhathu Kaadu, Gautham Vasudev Menon is clearly trying his luck at the gangster film genre by creating his version of Velu Naicker. In creating a world that looks original, Menon succeeds to an extent. But the narrative duration is such that you kind of sense a lack of clarity in depicting the eventfulness… Continue reading Vendhu Thanindhathu Kaadu

Gauthamante Radham

My family owned a Maruti 800 for almost 11 years and there was a very deep emotional connection with that car. I am saying this because I can understand where the idea behind Gauthamante Radham came from. But debutant director Anand Menon just couldn’t utilize that emotional bonding in his first movie simply because of… Continue reading Gauthamante Radham

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