What was remarkable about the second film of T. J. Gnanavel, Jai Bhim, was the fact that it focused entirely on the cause of the story. The stardom of Suriya was only used to make the story reach more people, and it had no burden of catering to the fans of the actor. In its… Continue reading Vettaiyan Review | A Flat Masala Movie Trying to Salvage Itself With the Relevance Card
CTRL Review | Vikramaditya Motwane’s Screenlife Thriller Is Smart and Effective
If you look at the characters Nella, the lead of CTRL, and Bella, the lead of Call Me Bae, the behavioral patterns of both these characters have a similarity. They are both very impulsive, and the social media validation is what they both live for. But the significantly different and good thing about the Vikramaditya… Continue reading CTRL Review | Vikramaditya Motwane’s Screenlife Thriller Is Smart and Effective
Oru Kattil Oru Muri Review | An Outdated Relationship Drama With a Deliberately Scattered Script
Shanavas K Bavakkutty’s new film, Oru Kattil Oru Muri, is written by one of the finest writers in Malayalam cinema, Mr. Raghunath Paleri. In fact, more than the filmography of Shanavas, which has movies like Kismat and Thottappan, it was the Raghunath Paleri factor that gave me a feeling that something would be there in… Continue reading Oru Kattil Oru Muri Review | An Outdated Relationship Drama With a Deliberately Scattered Script
Pushpaka Vimanam Review | A Spoon-Fed, Watered-Down Version of Run Lola Run
There was this movie named Overtake in Malayalam that was released in 2017. It was a spoon-fed ripoff of Steven Spielberg’s Duel. Duel was one intense thriller where Spielberg never bothered about giving backstories to the audience, and the chase was enough to captivate you. But when it became a Malayalam film, there was an… Continue reading Pushpaka Vimanam Review | A Spoon-Fed, Watered-Down Version of Run Lola Run
Thekku Vadakku Review | An Eccentric Satire That Falls Flat Due to Forced Humor
At one point in the second half of the latest Malayalam film, Thekku Vadaku, the character Shankunni faces the question of the relevance of someone’s win if the opponent does not know about it. Based on the story by S Hareesh, I think the soul of this whole drama is in that statement. Unfortunately, the… Continue reading Thekku Vadakku Review | An Eccentric Satire That Falls Flat Due to Forced Humor
Joker: Folie à Deux Review | A Character Study With Too Much Melancholy and Too Little Folie
The title of the second part of Todd Phillips’ Joker is Joker: Folie à Deux. Folie à Deux means a scenario where two people share the same mental illness. So, from the title itself, it is sort of evident that they are trying to pitch the second installment as a love story. While the first… Continue reading Joker: Folie à Deux Review | A Character Study With Too Much Melancholy and Too Little Folie
Gumasthan Review | A Mundane Revenge Thriller With a Mere Backdrop Change
Gumasthan, the latest Malayalam thriller that has Jaise Jose in the title role, is an exaggerated thriller that tries to amplify the usual beats. The script written by Riyaz Ismat has plans to surprise the viewer by planting a lot of decoys in the story. But because of the bloated heroism from the beginning, at… Continue reading Gumasthan Review | A Mundane Revenge Thriller With a Mere Backdrop Change
Chithini Review | A Carbon Dated Horror Drama That Craves for a Roast Rather Than a Review
Chithini is the latest movie from East Coast Vijayan that feels more like a facepalm fest from the word go. Remember that short film the social media trolled for the tough vocabulary? “Punyajanmangalkk labhikkunna poorvajanma saafallyamaanu…” I think East Coast Vijayan considered that movie as a worthy inspiration in dialogue writing, and in Chithini, we… Continue reading Chithini Review | A Carbon Dated Horror Drama That Craves for a Roast Rather Than a Review