The very last scene and the few minutes before that in the film Sayanna Varthakal somewhere show us what motivated Arun Chandu and co-writer Sachin R Chandran to explore an extremely sensitive topic that has relevance in the current political scenario of India. But the randomness in the treatment of various phases of the film… Continue reading Sayanna Varthakal
Tag: Dhyan Sreenivasan
Prakashan Parakkatte
The problem with Prakashan Parakkatte as a movie is precisely the problem of its central protagonist; lack of focus. With its episodic nature that lacks depth, Prakashan Parakkatte never gives you an idea of what it wants to depict. When the movie reached its interval, I thought the film was about to get some shape.… Continue reading Prakashan Parakkatte
Udal
If the writing manages to give a solid reason for characters to become monsters, situational thrillers can be really intense to watch. Ratheesh Reghunandan’s Udal is a wannabe Don’t Breathe that was able to hold the viewer’s interest till the end, and it also ended up in that grey space where you are wondering about… Continue reading Udal
Sathyam Mathrame Bodhippikku
When you finish watching the first half of the movie Sathyam Mathrame Bodhippikku, you might get the feeling that the second half will have something interesting. But when it comes to the second half, the film acts like this is the first-ever movie to show police officers killing criminals in a fake encounter because the… Continue reading Sathyam Mathrame Bodhippikku