In the last 15-20 minutes of the movie Pon Ondru Kanden, Santy, the character played by Aishwarya Lekshmi, repeatedly asks the two leading men to shut up. The fed-up expressions of the leading lady and her request towards the heroes are exactly what you feel towards them throughout this movie directed by V Priya. I… Continue reading Pon Ondru Kanden Review | Just Like the Heroine, the Audience Would Also Want the Heroes to Shut Up
Tag: Aishwarya Lekshmi
King of Kotha Review | A Generic Gangster Film That Ignored Its Character-Driven Possibilities
World-building and character arcs are what make gangster films compelling for the viewers. Every gangster movie that has stayed with the viewer is a success mainly because it uses the story to register that world and the numerous characters. King of Kotha, Abhilash Joshiy’s debut directorial, written by Abhilash N Chandran, has a world of… Continue reading King of Kotha Review | A Generic Gangster Film That Ignored Its Character-Driven Possibilities
Ponniyin Selvan: II Review | The Concluding Chapter Is Rich in Craft and Optimal in Grandeur
What was great about Ponniyin Selvan: I was the way how Mani Ratnam preferred story and drama over creating a mere visual spectacle. If you look at that film, it had that tone of a tale that got narrated to us, and the characters and their baggage added to the film’s drama. Shot in one… Continue reading Ponniyin Selvan: II Review | The Concluding Chapter Is Rich in Craft and Optimal in Grandeur
Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller
Mammootty playing his age as a veteran cop in a stylized avatar is a wonderful sight, as the man has a reputation for displaying great swagger on screen. The comeback of Kamal Haasan through a movie like Vikram might have given B Unnikrishnan and Uday Krishna the idea of exploring such a space of star… Continue reading Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller
Gatta Kusthi Review | Chella Ayyavu’s Movie Offers a Welcome Change to the Rural Drama Template
I watched Gatta Kusthi almost 3 hours after I saw Vijay Sethupathi-starrer DSP. The reason why I am comparing the two films is that they both cater to the same category of audience. While DSP ridicules the intelligence and exposure of the B and C center audience, Gatta Kusthi from Chella Ayyavu is a movie… Continue reading Gatta Kusthi Review | Chella Ayyavu’s Movie Offers a Welcome Change to the Rural Drama Template
Kumari Review | An Exhausting Fantasy With Exquisite Production Quality
Kumari, the second movie from Nirmal Sahadev, is a fantasy that fails to tell the story in a captivating way. The production quality of the film is genuinely excellent. But the storytelling feels very basic, and the lack of zest in its narrative makes it so exhausting that you won’t feel like appreciating it for… Continue reading Kumari Review | An Exhausting Fantasy With Exquisite Production Quality
Ponniyin Selvan: I
For those of you who are absolutely alien to Ponniyin Selvan, let me tell you two things. The language of the movie is pretty hard, and the character pool is huge. I am saying this because I was unfortunate to see this movie with an audience who came for the film as if to watch… Continue reading Ponniyin Selvan: I
Captain
Shakti Soundar Rajan’s filmography is mostly a list of films that wants to look like an aspiring Hollywood thriller, but most of them have ended up looking like tacky parodies of those Hollywood biggies. In my opinion, Miruthan and Tik Tik Tik were nothing short of unintentional spoofs, and his new venture, Captain, a project… Continue reading Captain