Premalu Review | Naslen and Mamitha Shine in This Uneven Romantic Comedy

Girish AD is one director who has managed to create his own signature style with his first two films. And if you look at those movies on a script level, they are very much unnarratable. Like, if you try to narrate that movie to a friend who hasn’t seen that film, he or she will… Continue reading Premalu Review | Naslen and Mamitha Shine in This Uneven Romantic Comedy

Garudan Review | An Exciting Theme With a Half-Baked Generic Script

Garudan, the new Suresh Gopi – Biju Menon starrer directed by debutant Arun Varma and scripted by Midhun Manuel Thomas, has an exciting central conflict. But the problem is with the writing that needs more patience to establish something firmly. The film is built around a rape case where the accused later decides to get… Continue reading Garudan Review | An Exciting Theme With a Half-Baked Generic Script

O.Baby Review | This Raw Take on Power Politics Deserved a Better Climax

O.Baby, directed by Ranjan Pramod, is a film that starts off in this eerie wild setting that ultimately talks about the power dynamic. While the first and second act of the movie makes things look highly intriguing, the sudden entry of the third act almost shifts the film’s tone to somewhat of a black comedy… Continue reading O.Baby Review | This Raw Take on Power Politics Deserved a Better Climax

Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller

Mammootty playing his age as a veteran cop in a stylized avatar is a wonderful sight, as the man has a reputation for displaying great swagger on screen. The comeback of Kamal Haasan through a movie like Vikram might have given B Unnikrishnan and Uday Krishna the idea of exploring such a space of star… Continue reading Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller

Prakashan Parakkatte

The problem with Prakashan Parakkatte as a movie is precisely the problem of its central protagonist; lack of focus. With its episodic nature that lacks depth, Prakashan Parakkatte never gives you an idea of what it wants to depict. When the movie reached its interval, I thought the film was about to get some shape.… Continue reading Prakashan Parakkatte

Pada

In movies based on real-life incidents, the cinematic elements are usually added in a way one would know that certain phases in the screenplay are deliberately dramatized. Pada, directed by Kamal KM, is a film that has less interest in making it excessively cinematic. Instead of taking too much cinematic liberty to make it pleasing,… Continue reading Pada

Kallan D’Souza

Kallan D’Souza, the spinoff of the movie Charlie, is just a lazy attempt with no real imagination. The film offers absolutely nothing in terms of treatment or story, and the audience was desperately laughing hard at the mumbling dialogues of Hareesh Kanaran. With every event in the story looking extremely predictable and unexciting, Kallan D’Souza… Continue reading Kallan D’Souza