Longlegs Review | A Display of Meticulous, Classical Filmmaking With Indie Sensibilities

Longlegs, the latest horror film from Osgood Perkins, is an innovative mixture of genres. It has a very eerie backdrop, and Perkins uses a brilliantly captured opening sequence to set the film’s mood. Post that, when the aspect ratio expands, you are sort of trying to figure out the trajectory the movie may take as… Continue reading Longlegs Review | A Display of Meticulous, Classical Filmmaking With Indie Sensibilities

Showtime Part 2 Review | Bollywood’s Shallow Self-Reproach Feels More Like a Glorified Daily Soap

In my review of part 1 of season 1 of the new Dharmatic series for Hotstar, Showtime, I mentioned that even in self-criticism, Bollywood lacks nuances. Part 2 has now been released, and there are only three episodes. Well, the story goes through a predictable set of dramatic shifts in equations, and what you eventually… Continue reading Showtime Part 2 Review | Bollywood’s Shallow Self-Reproach Feels More Like a Glorified Daily Soap

Sarfira Review | A Downgraded, Emotionally Slimmer Version of Soorarai Pottru

If you are someone who believes that Soorarai Pottru was an exceptionally well-made film, then the chances of you finding Sarfira as an engaging good film are really high. As a viewer, I had my share of issues with the screenplay of Soorarai Pottru, as the dramatization tweaks sort of made the movie predictable. It… Continue reading Sarfira Review | A Downgraded, Emotionally Slimmer Version of Soorarai Pottru

Indian 2 Review | The Return of Thatha Can Take Your Tolerance Levels to Zero

Shankar’s Indian was released in 1996, and for people like me, it is a part of childhood nostalgia largely due to the songs and set pieces. If I am not wrong, it sort of showed us this world of large-scale vigilante justice movies. After Indian, we have seen various iterations of mass movies that talk… Continue reading Indian 2 Review | The Return of Thatha Can Take Your Tolerance Levels to Zero

Despicable Me 4 Review | Funny for Sure, but With Clear Signs of Fatigue

The Despicable Me franchise hasn’t been giving movies that could create the same level of entertainment compared to its first part. The repetitiveness and the over-dependency on minions had made the films less exciting on an anticipation level. When it comes to Despicable Me 4, it is definitely enjoyable. But how much of it is… Continue reading Despicable Me 4 Review | Funny for Sure, but With Clear Signs of Fatigue

Kanakarajyam Review | An Inept Script That Uses Indrans’ Innate Likabilty as a Shield

If the song Nanmayulla Lokame needed a brand ambassador, a face to project its essence, actor Indrans would be the ideal choice. His innate humility and the kind of roles he has been getting off late (barring Anjaam Paathira) have made him this torch bearer of goodness. I am talking about his on and off-screen… Continue reading Kanakarajyam Review | An Inept Script That Uses Indrans’ Innate Likabilty as a Shield

Kill Review | Nikhil Nagesh Bhat’s Movie Sets a New Benchmark for Gory Action Films

Ever since Nikhil Nagesh Bhat’s Kill premiered at the Toronto International Film Festival last year, there has been a huge buzz around the film because of the way the action has been conceived in that film. A few days before its release, it was revealed that Chad Stahelski, who made the John Wick movies, has… Continue reading Kill Review | Nikhil Nagesh Bhat’s Movie Sets a New Benchmark for Gory Action Films

Partners Review | A Lousy Heist Film That Has No Regard for the Audience’s Intelligence

There is a flashback sequence at the beginning of the new Dhyan Sreenivasan starrer Malayalam film Partners, where you see bullets piercing through car windshields and hitting Hareesh Peradi. Seeing the quality of the visuals, I honestly thought I was in for something that would genuinely make me excited. But pretty soon, because of the… Continue reading Partners Review | A Lousy Heist Film That Has No Regard for the Audience’s Intelligence