In Chattambi, the idea is ultimately built around the discrimination faced by the central character Karia. However, the Shakespearian-style gangster drama doesn’t have consistency in maintaining the drama. Chattambi is a movie that tries to show the other side of how someone gets labeled as a goon. Even though it starts off impressively, the impact… Continue reading Chattambi Review | A Class Discrimination Drama That Never Took Off
Tag: Chemban Vinod Jose
Vikram
In Kaithi, when Karthi’s Dilli gets stabbed multiple times and yet bounces back, it doesn’t really stick out to damage the movie primarily because of the mood set by Lokesh Kanakaraj till that point. And there is a sense of mystery about that character. It’s no longer a secret that Lokesh’s new movie Vikram, starring… Continue reading Vikram
Member Rameshan 9aam Ward
Certain movies don’t evoke any sort of excitement in you, and they won’t even give you a headache. Member Rameshan 9aam Ward, directed by Aby Treesa Paul and Anto Jose Periera, is one such movie. There is a naïve apolitical aspect to the politics of the movie. But the narrative here is so unexciting that… Continue reading Member Rameshan 9aam Ward
Bheemante Vazhi
Ashraf Hamza’s second directorial, Bheemante Vazhi, co-produced and written by Chemban Vinod Jose, is a rooted comedy that hilariously depicts one conflict over a path. Chemban uses a central premise to build a partially satirical and subtly emotional story. Ashraf repeats his Thamaasha style minimalistic humor treatment to create a constantly engaging film without doing… Continue reading Bheemante Vazhi
Trance
A temporary mental condition in which someone is not completely conscious of and/or not in control of himself or herself; this is the Cambridge dictionary definition of the word trance. The latest Anwar Rasheed movie Trance, starring Fahadh Faasil as the main protagonist is trying to navigate through two layers.
Jallikkattu
Jallikkattu is one grand cinematic vision of seemingly simplistic thought. I know people who have seen Unda and asked why there was no Maoist at the end. I am just dragging that movie in this review simply because, if you also had the same question at the end of Unda, Jallikkattu might well end up… Continue reading Jallikkattu
Porinju Mariam Jose
There is an ongoing debate about whether there is a notion among people that only realistic cinema is considered as good cinema as almost all the well-accepted movies followed that treatment in the recent past. Even though you can’t call Porinju Mariam Jose as a novel idea, one of the main takeaways for me after… Continue reading Porinju Mariam Jose