When you look at how the movie Madhura Manohara Moham’s drama escalates hilariously in the second half, you tend to anticipate something incredibly refreshing at the end. Writers Mahesh Gopal and Jai Vishnu give you the impression that they will take a familiar-looking plot into something quirky and political about what women are supposed to… Continue reading Madhura Manohara Moham Review | A Breezy Fun Entertainer With a Vague and Convenient Climax
Tag: Shine Tom Chacko
Live Review | A Bland Rhetoric About Bad Journalism
TRP-seeking journalism and its demonic side is like an everyday phenomenon these days, and there is no question about whether a movie like Live is really needed. The film Live, directed by VK Prakash and written by Suresh Babu, is a very filmy and slightly exaggerated criticism of the unethical journalism prevalent in our country.… Continue reading Live Review | A Bland Rhetoric About Bad Journalism
Neelavelicham Review | A Visually Captivating Adaptation That Struggles to Handle Melodrama
Bhargavi Nilayam is that classic horror film that practically sets the tone for almost all horror films in Malayalam. The cliches we now talk about in horror films were introduced to the Malayalam industry by this film. In fact, virtually all the female ghost horror films in Malayalam were various iterations of Bhargavi Nilayam at… Continue reading Neelavelicham Review | A Visually Captivating Adaptation That Struggles to Handle Melodrama
Adi Review | An Inept Mockery of the Fragile Male Ego
The 2019 movie Ishq directed by Anuraj Manohar, was a thriller that had this layer that mocked and criticized the fragile male ego. The movie never tried to sound preachy or woke with its dialogues. It was that quality that made Ishq a compelling cinema. The latest production from Dulquer Salmaan, Adi, directed by Prasobh… Continue reading Adi Review | An Inept Mockery of the Fragile Male Ego
Boomerang Review | Frivolous Filmmaking Backed by Garbage Writing
Looking at the way Boomerang has been written, it is very evident that Manu Sudhakaran has not tried to understand the change that happened in Malayalam cinema in the last decade. Manu, whose first movie was released back in 2013, is still stuck in the cinematic sensibilities of those days, and his new movie Boomerang… Continue reading Boomerang Review | Frivolous Filmmaking Backed by Garbage Writing
Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller
Mammootty playing his age as a veteran cop in a stylized avatar is a wonderful sight, as the man has a reputation for displaying great swagger on screen. The comeback of Kamal Haasan through a movie like Vikram might have given B Unnikrishnan and Uday Krishna the idea of exploring such a space of star… Continue reading Christopher Review | Mammootty Sleepwalks Through This Flat Vigilante Thriller
Djinn Review | An Inconsistent Screenplay Limits This Drama From Reaching the Full Potential
SPOILER ALERT! In the promotional material the makers of Djinn have released, they haven’t really revealed too much about the plot; hence, some of the things in this review can be spoilers. When you see that emotional end to the movie Djinn, you will get the germ of the idea that made Siddharth Bharathan move… Continue reading Djinn Review | An Inconsistent Screenplay Limits This Drama From Reaching the Full Potential
Roy Review | A Hastily Concluded Inert Thriller
Sunil Ibrahim is a filmmaker whose movies always look interesting on a thematic level but never get a fulfilling result when they are made. His new movie Roy is yet another thriller with mysteries. But the dullness in the narrative and the forced staging of sequences make it not at all compelling, and looking at… Continue reading Roy Review | A Hastily Concluded Inert Thriller